After the atrocious weather over the last few days and only a slight dusting of snow overnight it was a pleasant surprise to see the sun this morning. Ah yes, sun I here you say? Remember, that spherical object that sits in our universe providing light and heat to our world. It made an appearance this morning, and in style too. In fact it was so nice that a proper camera was taken out of moth balls as Elaine and I proceeded to have a very gentle saunter around the dam (also known as Yeadon Tarn). On a side note, don’t get me going on this one, apparently it doesn’t matter what I call the “puddle of water” I always get it wrong.
But that’s another story, one I wish to try to avoid for fear of upsetting the locals. The water was 90% frozen and covered in a thin layer of snow and how pleasant it was. The sun appeared to be generating some winter heat and before I knew it the gloves were off and stowed away in a spare pocket and the fleece jacket zip was lowered to half mast. I took a staggering 176 images this morning which considering I took 1700 in January 2012 as a whole and bearing in mind that this is the first outing this year I don’t think I did too bad. There was plenty to see and capture by camera too; far too much for me to demonstrate on my blog. If you head over to my Flickr pages in a few days time I will have uploaded a whole set from this morning. The light was sublime; an ideal winters day for a landscape photographer. Crisp, clear, long shadows, plenty of contrast all set against the blue. I was in my element. I had expected exactly that and my only failing was leaving the tripod behind.
I always carry a tripod with me, even if it’s just in the boot of the car. I have been asked why so many times. The answer, well I am quietly confident that any photographers will already know the solution to that question but here goes anyway. The use of a tripod has an obvious answer and a not so obvious answer. I am going way back now and digging up this from the bowels of my photography history so here goes. The tripod is one of the photographers best friends; but not something you see being used everyday. Ask yourself the question…when did you last see a photographer? I don’t mean someone with a camera, I mean a “Photographer” with a tripod? That’s because it’s not such a common sight anymore; all down to the advent of digital photography combined with upgraded equipment and image stabilised lenses. Its true, why spend time trying to create something in the field when you can do exactly the same thing back home in the warmth of your living room using Adobe software. Makes sense doesn’t it?
There are a few uses for a tripod, as much as they are a bind to carry around. Firstly, they are fantastic at holding the camera still for you; preventing movement and increasing stability. I am only joking, they are THE best thing for holding your camera still. The ultimate objective of the tripod. When the ground is covered in snow or wet from the rain, the little hook on the centre column is great for holding your camera bag whilst you fiddle around with your camera settings. A tripod is also handy when it comes to getting the horizon or verticals completely level, once you have set it up using the spirit level, Bob’s your uncle. Another one for you….close up and macro photography like taking photos of small objects close-up can require a lot of skill, and minor movements will be crucial to a perfect image. Using a tripod will noticeably reduce unwanted movement of the camera. My ultimate reason for using a tripod, to increase depth of field in landscape photography. By closing the aperture down to f27 or similar and slowing the shutter speed down to match your landscape images take on a whole new meaning. Sharp and clear from front to back. So there you go, a few benefits of the tripod. The next time you head out of the door, consider taking her with you, that’s the tripod by the way.
Thank you for reading today’s short blog. I hope you like the images and also understand why it was an opportunity not to be missed.
A few years ago I dabbled in making panorama images using Photoshops’ Automated photo merge tool. As the tool is integrated in to Adobe’s CS5 package; unless you have mega memory it tends to be very unreliable and in my experience has a habit of closing itself down halfway through its operation. I found this so frustrating I decided to look elsewhere for some stitching and panorama software. This was when I stumbled across an early version of a program that was going to change the way I saw things. From 2:3 ratio to Panorama !
Microsoft Image Composite Editor (ICE) is a free, yes FREE piece of software for Windows that will stitch overlapping images. And because its dedicated to stitching it works very quickly and is very accurate too. It can be used stand alone so you don’t need to own a copy of Photoshop to turn out panoramic images of excellent quality. Obviously to adjust and edit your finished piece a copy of Photoshop or any other editing and manipulation software is essential. I am going to show you the process of a simple panorama image, from the RAW images to the finished piece. Hope you enjoy, and remember to try it yourself, you can do it with a mobile phone app these days, but trust me when I say…this way is so much better.
To download Microsoft Image Composite Editor click here
The first task is to capture a series of images that overlap. The overlap is the important bit here, in matter of fact it’s quite essential as ICE (Image Composite Editor) relies on data being matched in order to stitch the images together. One thing to note is that the images don’t have to be in a landscape format, they can be in a square or even in a random shape. Which ever way you decide to compose your images the same rule applies…they must all overlap for the ICE to work. I have selected three sunrise images (Fig.1) all taken within 10 seconds of each other. You can probably see the obvious overlap on the photographs before we even begin to stitch them together. This is very important.
Open your images from your camera either in to Photoshop or straight to your hard drive if you have no photo editing software (Fig.2). If you have no editing software then skip to the next step and open ICE. One thing to bear in mind when shooting the images is to get the exposure as accurate as possible and be consistent over the series you shoot. This will help you considerably when editing and finally stitching the images. If you find that one of the images is over or under exposed it will clearly stand out amongst a stitch of several images. Its much easier to get it correct first time than go back and make adjustments and have to do the stitch all over again.
The images should all be sized to exactly the same size. Most of my images are edited for the web and Flickr so they are resized at 1600×1200 pixels at 72 pixels per inch. With the images edited to look similar in exposure, contrast, brightness and depth its a simple case of saving them to a location on your hard drive. The next step is to install and run Microsoft Image Composite Editor. You will then be presented with an interface as shown in Fig.3
You now have a choice; you can either drag your images from the saved location as a selection (i.e. all 3 at once) or you can click FILE, NEW PANORAMA and select the images this way. In all fairness the latter is probably better as you can ensure from previews that you actually select the correct images. see (Fig.4)
Once the images are imported in to Microsoft Image Composite Editor the program will start working straight away. Depending on how many images you have selected for your stitch and how complex they are will affect the amount of time the software takes to produce the output. A simple 3 or 4 image composite should only take a few seconds to complete. During the process you will see a screen like Fig.5
When the program has finished you should be presented with a composite image of all your selected photographs (Fig.6) I did mention earlier that the system is not 100% accurate and occasionally errors do occur. I cannot suggest a solution to errors as I don’t yet have one. I did try selecting a smaller number of images for the stitch, then doing a second stitch with the remainder. Then finally stitching the two stitches, if that makes sense. This does overcome the problem slightly but once again is not guaranteed. Ok, so you now have your stitch, and it should look something like Fig.6. As you can see its look is very unfinished and scrappy. I do call this a “Tatty Stitch” and occasionally I will pop this final image in to Photoshop as it is and make an image from it. An example of this can be seen in Fig.7 below
The crop boundaries can be adjusted according to your requirements, once you are happy it just a case of saving your image to your location of choice. This is done by clicking “export to disk”. So there you have it. A very easy and effective way of creating either a landscape panorama or a general photostitch. There are many possibilities with stitches, not just landscapes but in general photography. It can be great fun to capture a group of people, particularly a few who are moving around, occasionally you can find the same person in the stitch in more than one location. Below is the final image (Fig.8) I created from three single frames using the steps above. Hope you like it, any questions or comments, please do not hesitate to contact me or leave a message in the comment box on here.
If you like the idea of photo stitching and would like to see some more of my attempts, please take a look at this specific set I create on Flickr just for composites : Click HERE
Thank you for reading this post. If you have as much success as I have doing this, please contact me and show me your stitches, I would love to see them.